Paper was my first language.
Handmade paper is the foundation of my studio practice. Working with fiber, pigment, pulp, and water continues to shape the way I understand color—not as something resting on a surface, but as something embedded within it.
Color Connects.
Each sheet records a process of layering, transformation, and discovery. Color becomes inseparable from the material itself, revealing relationships that emerge slowly through making.
Colors vibrate with each other, layer by layer whispering and shouting.
Each pulp painting is approximately 24×32 inches.
In the details.
Pigment, pulp, and water form the foundation of each handmade work, where color becomes part of the paper itself.
